David R. Guenette

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Links

There are many more links than I will place here, despite that many of the left out ones are great.  But this site, alas or hooray, is not a blog, so...

The emphasis here is on assemblage oriented links, as well as a "Lateral Links" category, as noted in the headers below.

 

Assemblage

Joseph Cornell Web Museum, Paris

This is a terrific little page that has about 2 dozen of Joseph Cornell's boxes. This page is part of the Web Museum created by Nicolas Pioch in 1996.
Nicolas says: "This is the reference you should HREF if you want to keep a pointer to this page (other references are subject to change anytime). Please use this URL so that I can get the count of visitors accurate and move around things without breaking people's pointers."

Arthur Burke

"Arthur Burke who makes his home in rural Connecticutt, trained as a designer at Pratt Institute and pursued a long and successful career as an industrial and interior designer. Intrigued by the work of artist Joseph Cornell, Burke, following his retirement from active design work, turned to the creation of boxed assemblages. An inveterate collector since early childhood, the artist began to collect seriously with an eye to turning his findings into art. The result is that Burke has become a "boxiest" par excellence, creating both static and kinetic assemblages which allow the viewer to interact with the artwork. His workmanship and creativity are without parallel. As for philosophy, the artist states, "The box is a part of our everyday language and thinking from the moment we first open our eyes to the very instant we close them for the last time, the box - as an intriguing and exciting physical form, design or concept - is ever present."

Donal Lipski: Book Works 1982-1997

Lipski is a master manipulator of the found object, salvaging and ingeniously re-working them. With boundless wit and humor he concocts absurd juxtapositions and mixed messages that capture the spirit of both surrealism and Dada. Lipski believes that art can be made with anything, and he proves it.

Dan Levin

I see where it began. My need to salvage the relics and artifacts that have been discarded as no longer viable.
I was 11 years old and living on a small island in the Atlantic. As inhabitants of Block Island, we had to bring our refuse to a designated area: "the dump". At the entrance stood an old man who would direct us to a particular pile. "One man's trash is another man's treasure" he whistled through the space between his teeth. I've heard it repeated many times since but he was the first to enlighten me with that adage.

Dale Devereux Copeland

"Junk" is collected, sits around for about 20 years, and finally finds its place. From collage postcards to a large motorised Not-Very-Merry-Go-Round of gargoyles, including my mother's false teeth in a fish head, life is full of possibilities.

Ed Kienholz

In 1954 he made his first reliefs in wood. In 1956 he founded the NOW Gallery, and in 1957 the Ferus Gallery with Walter Hopps. In 1961 he completed his first environment Roxy's, which caused a stir at the documenta "4" exhibition in 1968. His retrospective at the Los Angeles County Museum of Art in 1966 provoked the County Board of Supervision to attempt to close the exhibition. The theme of his environments is the vulnerability of the private life of the individual to intervention by the environment and social convention. [Note: You'll get a password dialogue box.  Clicking on "cancel" moves you into the link.]

Jerry Jackson

The context of the assemblages is rooted in the historical preservation of childhood memories in the rural South. Many of the works also include influences from travels in Estonia, Finland and Russia. All works are constructed with found objects and seek to capture elements of family, friendship and simplicity of lifestyle that are quickly eroding from this fast paced, disposable society.

David R. Johnson

My work is anything but what I would call clean. like me, it is subject to time. I like to look at work I've done twenty years ago and see the changes time has brought. Time has always been a preoccupation in my art. I include in my assemblages fossils, metals older than the solar system, strange symbols time has lost, and things of a recent past.
The artifacts made by humans are a puzzle. I have a great deal of trouble with the word natural. To me all that is created in the Universe is natural. I have no trouble with that, it's the "Why of it" that is the problem. I think of these things and do boxes, that to me represent a microscopic image of mind.

Lois Anderson

Lois Anderson was born in Milwaukee, Wisconsin of French and Norwegian descent. She attended Wisconsin State College with a degree in Education. She moved to New York City to study modern dance with Martha Graham. In the Sixties, after a trip to Mexico she moved to the Bay Area.
Lois first saw "glue art" (as it was known then) in the form of a decorated car in Marin County. It inspired her to begin on her own. Her sculptures or assemblage are usually done on wooden bases or frames or statues found in the shape she desires.
She finds her materials, jewelry, tiles, beads, statues, icons, etc.. at flea markets and arranges them into configurations.

Smith

Smith: Contemporary Artist & Poet Collage · Sculpture · Poetry

Lateral Links

EFF Factsheet: Contacting Congress (& Other US Policymakers)

"Making Your Voice Heard by US Federal Legislators, the White House, State Legislators and Governors"
This is an excellent look-up tool for finding addresses, titles, and contact information for congress. Electronic Freedom Foundation is a highly worthwhile organization.

2019: Off-World (Blade Runner Page)

This is a growing archive of All Kinds of Stuff related to the movie Blade Runner. It contains both information unique to this site as well as links to other Internet resources.

Weird Links

One of the top bizarre link collections. To be taken in small doses.

An Atlas of CyberSpace

"This is an atlas of maps and graphic representations of the geographies of the new electronic territories of the Internet, the World-Wide Web and other emerging Cyberspaces.
"These maps of Cyberspaces - cybermaps - help us visualise and comprehend the new digital landscapes beyond our computer screen, in the wires of the global communications networks and vast online information resources. The cybermaps, like maps of the real-world, help us navigate the new information landscapes, as well being objects of aesthetic interest. They have been created by 'cyber-explorers' of many different disciplines, and from all corners of the world."

The Center for Advanced Whimsey

"Located in New York City, The Center For Advanced Whimsy specializes in creating original worlds in a variety of formats. We have created CD-ROM productions, digital paintings, children's books, music, character design for video games, and a line of consumer products distributed in Japan. Officially incorporated in 1996, founding member Rodney Alan Greenblat has been creating successful paintings, sculpture, furniture and children's books since 1982."

Adbusters

"The Media Foundation: We are a global network of artists, activists, writers, pranksters, students, educators and entrepreneurs who want to advance the new social activist movement of the information age. Our aim is to topple existing power structures and forge a major shift in the way we will live in the 21st century.
"To this end, Adbusters Media Foundation publishes Adbusters magazine, operates this website and offers its creative services through PowerShift, our advocacy advertising agency."

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